Facebook certainly has developed a way to remind you rather forcefully of the passing of time. Yes, logging onto Facebook this morning, the memories popped up and reminded me it was six years ago that I was shown my cover art for Geist.
Six years ago.
However, I do remember it very well. It was my first NYC publishing cover, and at that stage I had zero input into what it looked like. Yep, it was a total dice roll. Luckily I must have rolled a natural 20, because what Jason Chan produced was absolutely gorgeous. It showed my character (MY CHARACTER, my mind screamed when I saw it), Sorcha Faris. She was dressed exactly as I had written her, but he had captured an expression on her face that reflected the character beneath.
And it wasn’t just me with my bias that thought so. That cover went on to win the Chesley for Paperback Book Cover Illustration. Jason wasn’t at the event, but I got to accept the award on his behalf. I nearly cried.
So yes, authors can get very, very attached to their covers.
After ten books with big publishing, the cover process changed. I was asked if I had ideas, to supply images to give the artist ideas, and even my opinion on the cover before it was released. I got a change made to a dragon!
I was extremely lucky, over and over again. Artists like Jason Chan, and Karla Ortiz brought my vision to light, and in turn inspired me to write the sequels. It was a delicious loop.
I have tried doing my own covers. Once. Early on.
Yeah, I quit doing that…however, I do know what I like.
I like characters to have heads. I know in the romance genre the reasoning goes that it allows the reader to identify with the main character, or to imagine themselves in that place…but for fantasy I need a face.
I need the front cover image to convey a feeling, and a mood that goes with the book.
I love to see real art and care.
Recently I’ve been lucky enough to work even closer with artist for my own independent books. Alex White for Weather Child and Ministry Protocol. Most recently Michael Ward of Go ForWard Photography and Starla Huchton of Designed by Starla for The Ghost Rebellion.
And I learned some things. If you are working with good people, let them be good. Even though now I am paying for these shoots and covers, I am a writer. They are the visual artists. Some of these shoots I have known exactly what I wanted (‘hey Alex, I want to see a women hovering in mid-air in the middle of the thunder-storm’) and others we’ve given them free rein.
Sure, as the person paying we have the final say, and we are consulted with about what is happening, but often the magic of the cover is uncovered in the process of creation. Watching Michael Ward, move the models around, work the lighting and the composition…yeah, I just sat back and let him work his magic.
Hopefully my good luck with cover art continues, but I will never forget the fear and trepidation on getting that email with the subject ‘here’s your cover art’. It was swiftly followed by the delight of an author that finds an artist has truly brought her ideas to life.